Tag Archives: Social Documentary

Talking Picture no. 27: Peter Tatham by Daniel Meadows

A vertigo inducing movie from Daniel Meadows in Rochdale this week, and the book I will publish this Thursday matches it. Steeplejack 1976.

Talking Picture no. 27: Peter Tatham by Daniel Meadows

05_steeplejack_thumbnail

I have been working on a new Café Royal site to try and combine the blog, archive and recent publications rather than have them in different places. So, here is the new site. I’ll be adding to the archive over time and for the next few weeks I’ll continue the blog here, but please start to follow the new blog,

http://www.caferoyalbooks.com/blog/

 

Talking Picture no. 26: Jim ‘Lewey’ Sutton — Daniel Meadows

Talking Picture no. 26: Jim ‘Lewey’ Sutton from the Daniel Meadows archive at the Library of Birmingham, ref MS 2765.

jim_thumbnail

Talking Picture no. 25: Charlie Sutton — Daniel Meadows

This Thursday I will be releasing the fourth book in the series of eight stories by Daniel Meadows Weldone Boiler Fluers 1976-1977. These eight are from the larger series of 40 that Daniel is releasing weekly until summer, to mark the 40th anniversary of the Free Photographic Omnibus; each a small part of his archive, held at the Library of Birmingham.

Charlie Sutton.

04_weldone_thumbnail

Talking Picture no. 18: The Broxton Brothers — Daniel Meadows

The main pigeon man, resting in a wall.

Talking Picture no. 18: The Broxton Brothers

Robert and James Broxton, Easington Colliery, Co. Durham.  September 1974.

The Daniel Meadows Archive is at the Library of Birmingham, catalogue no: MS 2765.

Peter Dench — Trawlermen

In 1998, Photojournalist Peter Dench spent five days onboard The Allegiance, a 60 foot UK Scarborough-based trawler, fishing the North Sea, with a crew of five.  The future has since become extremely bleak for the English Trawlermen; huge areas of the North Sea have been declared ‘off limits’ and fishing quotas have been slashed in an attempt to rescue dwindling North Sea stocks from the point of extinction. These measures have jeopardised the jobs of those in the industry and put dependent towns, like Scarborough, on the brink of ruin. Dench returned to The Allegiance in 2005 to be reunited with the crew and to find out how the decline of the North Sea fishing industry has affected their lives.

“Being a Trawlermen is  tough; you spend weeks at sea and the income is unpredictable. Sleep is sporadic and the small bunks lie under the water line jammed next to the engine room. A metal box alone on the sea can deliver a feeling of vulnerability; in terms of fatalities, it’s the most dangerous job in the Britain.” Peter Dench

“Going to sea is like going to prison, with a chance at drowning besides” Samuel Johnson

Trawlermen was published today by Café Royal Books.

Please support Peter’s Kickstarter campaign which will allow him to publish a recent project, The British Abroad.

Talking Picture no. 23: Stanley Replies — Daniel Meadows

This week’s release from Daniel Meadows and Stanley Graham is proof of the value of engagement and collaboration. Stanley’s home made movie. Excellent.

If you’re new to Daniel’s work, please look at his Photobus website, and in particular, the digital storytelling section.

The Daniel Meadows Archive is at the Library of Birmingham, catalogue no: MS 2765.

Talking Picture no. 23: Stanley Replies — Daniel Meadows
stanley_replies_thumb

Talking Picture no. 21: Stanley Graham — Daniel Meadows

Stanley Graham and his engine, ideas for a ‘well balanced life’ and avoiding stress. Excellent, my favourite so far from the Daniel Meadows Archive (Library of Birmingham, catalogue no: MS 2765).

I’m publishing this Thursday Bancroft Shed Engine House 1976, by Daniel Meadows. More of Stanley and the engine then…

Talking Picture no. 21: Stanley Graham — Daniel Meadows
03_stanley_thumbnail

Colin Thomas — Wrexham Leisure

Colin Thomas is a documentary photographer based in Telford, Shropshire. The Café Royal publication, released today, Wrexham Leisure 1982—1984, features work from his Event project which was exhibited at Open Eye Gallery, Liverpool in 1983.

Colin sent this text to help place his work:

I’ve owned a camera since my early teens but photography was just one of several interests. It became my main interest when I discovered the Open Eye Gallery, Liverpool,in the late 1970s. The exhibitions inspired me, especially work by documentary photographers and for the first time I realised how powerful photography can be. I started educating myself with the help of monographs of photographers such as Tony Ray-Jones, Ray Moore and David Hurn.

I earned my living as a civil servant and moved, with my job, from Merseyside to Wrexham, North Wales in 1979 and the photographs in Event were all taken in the early 1980’s. It was the first time I’d worked on a series of photographs.

Shortly after our arrival my wife and I were invited to participate in an inter-street rounders match and a fancy dress charity evening. It was a great way of getting to know our new neighbours and despite having just moved into the area everything seemed familiar to me.

I grew up on a council estate on the outskirts of Aberystwyth, Mid Wales. It was a close-knit community and the regular organised events helped maintain and strengthen it. Many of my earliest recollections are of my family taking part in village activities. My father managed the local football team and I can remember my mother playing in a Ladies Cricket tournament and singing a couple of numbers at the Women’s Institute concert. I also recall the day I was pageboy to the Carnival Queen; I was reluctant to get dressed up but there was a box of chocolates on offer from the carnival committee so I was easily persuaded.

In Wrexham I rediscovered my love of community events and found plenty taking place in the area. It was, and still is, difficult for me to point my camera at someone. To get the photos I wanted I knew I had to work with a wideangle lens and get close. The more I worked the easier it got and I found that a lot of people assumed I was working for the local press because I had two, sometimes three, cameras around my neck. In 1982 the Open Eye gallery put up a couple of commissions for photographers and I applied and was accepted. The gallery was run by Neil Burgess and Derek Massey and they gave me valuable advice and encouragement. There was only a small amount of money involved but the exhibition deadline motivated me to work harder. Looking back I realise it was an ideal photographic project for me to cut my teeth on.

Talking Picture no. 17: Mr Cothrow — Daniel Meadows

This week’s movie from the Daniel Meadows Archive…
Talking Picture no. 17: Mr Cothrow
The perils, pitfalls and pleasures of competitive leek growing.
The Daniel Meadows Archive is at The Library of Birmingham, ref:MS2765
cothrow_thumbnail

Talking Picture no. 16: George Hepple — Daniel Meadows

George Hepple, a retired blacksmith from Haltwhistle, as featured in  Living Like This (Meadows, Daniel. 1975. Living Like This: Around Britain in the Seventies. London: Arrow.) .

The Daniel Meadows Archive is in the Library of Birmingham.

Talking Picture no. 16: George Hepple
hepple_thumbnail